#dead brother moment

[0vergrowngraveyard]

bad end.

[confused-stars]

shoutout to Jake Animorphs for being kinda uninteresting for like forty books and then hitting you so hard when he fully snaps and steps into his role as a hardened military leader at the age of sixteen

and then suddenly that sweet, stressed-out kid is just gone. he only exists to win wars anymore. it makes you realize too late what was lost

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[fanaticalthings]

Jason only resorts to his emergency signal when he's 0.1 seconds away from death and only when he's 100% reaching raw desperation levels of survival

BUT he also uses it when he's faced with the most mild of inconveniences, so the batfam are always stressed when they get his panic signal because is he about to fucking die or was he just locked out of the family Netflix account?

And obviously they can't take ANY chances, so it's always a 50/50 on whether the night ends with the fam huddled in the medbay of the cave, or whether all of them are fully costumed, weapons sharpened and ready to throw hands in Jason's apartment and Jason's just casually lounging on his couch like "Oh hey guys, I'm out of flour, can one of you run to get some?" with the most annoying shit-eating grin you've ever seen.

[emacrow]

Danny wasn't the first to be contaminated with ectoplasm. Jazz was.

Thus contant angst and some gore. Viewer be advised.

Born and raised as a fenton without miraculously being effected by ecto while Jack and Maddie wear hazmut suits most the time up to her teen years would take a miracle.

Jazz knew she was effected by ectoplasm since she was a little girl, taking care of danny as a toddler and trying to make sure her brother doesn't eat the glowing green liquid in the freeze.

She didn't want him to get sick like she did... making sure the gadgets stay out of his line of sight.

He was innocent and too young to notice how ne-neglect her parents were being over their obsession of ghosts.

She was infected enough to see the tiny fading blobs flying around but never mentioned to her parents again after last time, and her parent stay in the basement for almost a week and half that time and missing Danny's birthday again.

Jazz was smart though, reading about psychology books far higher in intelligence then her age, and knew enough about the inventions that Jack made gave her an idea..

A terrible but brilliant idea to bring this family together, so danny could have the best childhood memories then hers..

She began sabotage some of their works to jam and malfunction, making some of their work papers as proof seem crazy to be denied so they actually spent time with her and danny as a Family and it was working well enough for years,....

Until the ghost portal work that day..

Then the ghosts coming out of it causing havoc which renew her parents obsession back from the very grave she has surely made they were buried...

Then finding her brother.. her sweet little brother had died and came back due to her sabotaging the portal with the turn on button being inside...

Something inside her crack a bit.

Helping him and distracting her parents was going well enough. Stealing the ecto shot to help her brother heal from the battles of facing the ghosts, red hunter, GIW and her parents. This was all her fault that she knew deep within..

Until Danny (her sweet little brother that she raise, care for, love)went missing during the middle of his sick day with no ghosts being out today when she decide to go get chicken soup from the store..

She should've seen it sooner when she came back and seen Danny's bed empty with spot mixed of ectoplasm and blood, dropping the chicken soup package from the store ..

Their parents loved them that she knew as she grabbed the fenton creep bat..

But she knew since she was a little girl..

Opening the basement door quietly, slowly and walking down the stairs without making a noise.

That they love their work more.

Her eyes burned with burning fierce firey green glow of pure rage and determination as she creep slowly aiming, as she swung the fenton creep hard on the back of Jack's head with a sickeningly crack, then next quickly hitting Maddie hard in the face as she knew they both won't listen to reason..

She know that would only buy her enough time consider Jack was a hard head, but maddie was out for good measurement. Taking the keys to the ecto shackles.

She know that if she were to cry, she will not stop crying if she did. Unshackling Danny's limbs, and pressing the off button on the ecto Ghost muzzle.

Checking to see if he lost any limbs or organs.. thankfully none yet...

"It's going to hurt, but we are leaving together.. ok danny?" She said with a watery tone looking into her brother's tear soaked red eyes, grabbing the ecto fishing string and a needle, giving Danny's a metal piece of material to bite on, onceshe pressed the freshly Y incision as she began to resew. Giving him a couple of Ecto-Dejecto to speed up the healing. (Pretending it was just a gash in her mind instead of seeing her brother's heart beating with a marble sized core buzzing leaking ectoplasmic mixed blood)

Once she sewed the wound up, rushing to put danny in the back of her car, getting the secretly duffle bags containing the things, New IDs, money, passports needed including a USB of the fenton portal and inventions blueprints in case anything happened(it did, it happen oh god..), rush back to the basment, press the button she had hidden in the lab to delete everything about all the information about the ghost portal and ghost files, the immediate lockdown everything including the portal in 5 minutes then self destruction meltdown minutes afterward.. afterall she did help made the lockdown, putting her own special password(She always make sure to had to backup plan to a backup plan..)

By the time she got to her car, and started driving at speed that would've gave her a police ticket, she didn't stop even when she saw the glowing ectoplasmic forced field emerged covering only the fenton house..

She didn't stop when she left the Amity Park border line.. She didn't stop when the loud ear piercing boom echoing.. she just drove to the only person in one place that would help her..

Her distant cousin twiced removed Edward Nashton whom live in Gotham.

[the-ipre]

hello everyone i have begun to rotate a dead boy detectives restaurant au, mainly because im putting edwin on expediting and crystal as a waitress and i think they might kill each other

[livelovecaliforniadreams]

Favorite Buddie Moments Per Episode: 7x4 Buck, Bothered and Bewildered (Part 2)

[stellar-collective]

breaking: old man trying to visit his family for Christmas after four months on the ocean viciously attacked the second he steps through the door, more at five

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[zwoftt]

nah because what if the matron of ravens shows dorian a vision of cyrus so they can talk to each other one last time WHAT THEN. WHAT THEN??

what if dorian yells at the matron for not helping the crown keepers at their lowest point, especially when one of them was greatly vowed to her, how she just stood there and watched as they all crumbled before this ‘merciless goddess’ sister none of them(the gods) like. what then. what if dorian finally releases some of that anger, the anger he is afraid of- the anger that has been boiling up inside of him since that day his brother was murdered and all he could do was walk the other way. OH MY GOD.

[urfavisananimegirl]

walter white from breaking bad

Walter Hartwell White (Breaking Bad) is an Anime Girl!

[lgbtlunaverse]

While rereading mdzs I am once again shocked by how talked about the "you were the only mistake he ever made" line from Lan Xichen to Wei Wuxian is and how heated it gets some people because honestly... I don't think he actually even believes that.

Stay with me. Look at the actual line. (I Included 2 translations for comparison's sake)

Firstly, yes he is mad at Wei Wuxian in this scene. But his biggest moment of anger was actually before this. By this point he's realized that Wei Wuxian forgot what happened after nightless city (and therefore ISN'T stringing along his baby brother on purpose) so he has in fact calmed down a bit.

Secondly, notice that he starts by talking about how his uncle felt. This is not Lan Xichen making a value statement about what he thinks. When he says Lan Wangji was proper and righteous he is talking about him being a model lan, he's talking about their family and clan's perspective of Wangji. Indeed, in their eyes, Wei Wuxian is the only time Lan Wangji was ever not the textbook perfect Lan.

Thirdly, what is Lan Xichen trying to say here? What is he mad at Wei Wuxian for? It's that he doesn't know Lan Wangji is in love with him. His anger is eased by realizing Wei Wuxian doesn't remember the very blatant confessions lwj made in the cave after nightless city, or Lan Wangji fighting his own clan elders for Wei Wuxian, and so had no way of knowing the whipmarks on Lan Wangji's back were related to him. But he is still mad, he still thinks Wei Wuxian should have been able to figure it out. So what does he highlight?

The fact that the only thing Lan Wangji, perfect model-Lan righteous Lan Wangji, ever defies his clan for is Wei Wuxian.

And Wei Wuxian has seen him do this! Even if he doesn't remember this one instance. Because Lan Wangji has been doing that the whole story through. Wei Wuxian has watched Lan Wangji blatantly stand against the entire cultivation world for him, and here Lan Xichen is highlighting just how unusual that is, how much Wei Wuxian must mean to Lan Wangji that he's willing to do that. The important part of the sentence here is not "mistake" it's "only."

Lan Xichen here isn't trying to say that he disapproves of Wei Wuxian, or telling him to stay away from his brother. Remember, the thing that made him mad in the first place was Wei Wuxian saying that he and Lan Wangji slept in seperate rooms. He thought they were together! He's mad because they're not!

At no point does Lan Xichen say he individually considers Lan Wangji's feelings for Wei Wuxian a mistake. If he ever did, it's clear he accepted them regardless long ago. Mistake or not, what he wants is for his little brother to be happy.

[tornado1992]

A babyfied Tails would absolutely have a Sonic plushie, he never calms down till Sonic holds him so Amy made him his own personal Sonic to hug whenever she or Vanilla babysit him.

[todayisafridaynight]

rate the outfit

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[chloecherrysip]

"I hope you told your brother how much you loved him, because you're probably never gonna see him again."

"..."

"Was that too dark?"

"YES!"

"Sorry."